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Josep Lluís Aguiló's Lunarium, his fifth and latest poetry collection, takes up his recurring theme of the uncertainty of life. In 2008 this book, Llunari (Lunarium) was the winner of the Prize Jocs Florals de Barcelona and Josep Lluís Aguiló was appointed Poet Laureate of the City of Barcelona during the period 2008-2009. These poems speak in a multiplicity of voices, often from the fantastic surroundings of myths and legends - labyrinths, secret libraries, mirrors, hell and the devil, smugglers, pirates of the Caribbean, palaces with golden pillars, apocalypses... There is a sense that the poet is constantly pushing the boundaries of the possible in an attempt to explore what it means to live on the edge of his imaginary worlds, at the same time using these 'other worlds' to explore our own world and what it means to be human. Aguilo's language is rich and sensuous, and the beautiful rural and maritime landscapes of the poet's native Mallorca shine through the fabulous worlds he creates.
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This book is also available as a eBook. Buy it from Amazon here. The experience of living in the Chernivtsi ghetto under the Nazis remains a dark undertow in all Rose Ausländer's poetry. The hardships of a life in hiding, the constant fear of Nazi terror and concentration camps are all harrowingly present, while other poems speak to the mother for whose sake she endured. After the war Ausländer's later poetry brought her prizes and acclaim, establishing her extraordinary simplicity as a distinctive voice in German poetry. Rose Ausländer was born in Bucovina, on what is now the Romanian/Ukrainian border. Her first book of poems in German, The Rainbow, was published in Bucharest in 1939, with the majority of its print run destroyed during Nazi occupation. In the Chernivtsi ghetto she became friends with Paul Celan; the pair would meet again in Paris in 1957. Her second collection, Blind Summer, appeared in 1965. Rose died in Düsseldorf in 1988.
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Jan Baeke, the award-winning Dutch poet, has, in Greater than the Facts (Groter dan de feiten, 2007), created an intriguing filmic world in which tensions are rife and nothing is quite as it seems. It is a world whose elements keep recurring, coalescing little by little into dreamlike leitmotifs – a bus journey, a hotel room, dogs, cigarettes, fire, a blind man, a canary, a man and a woman in love. And love, however fragile it may be, is a major theme of this collection, for "where there's fire, there's warmth for two". Antoinette Fawcett's poetically sensitive translation gives a clear sense of Baeke's style and poetic drive, and enables the English-speaking reader to explore in full this key collection in Baeke's œuvre.
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Half-Light & Other Poems brings together the most important and enduring poems by this neglected writer, one of Russia's great 19th century poets. In a new translation by Peter France, the philosophical, social and iterary struggles of Russia under Tsar Nicholas I are brought to vivid life in the verses of a man who felt profoundly and was highly skilled at expressing his emotions and beliefs in dazzling, often fantastical fashion.
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The poems of The Flowers of Evil were written in Paris at a time of revolution and accelerating change – the beginning of mass culture, the rise of consumerism and the middle-class, the radical redevelopment of the city by Haussmann – and they provide many parallels with the malaise and uncertainties of contemporary capitalist societies. Here we find poems about love (and love-hate), birds and beasts, Paris scenes and street people; about spiritual revolt, wine, death, travel and faraway places. The poet's voice is by turns ironical, angry and compassionate, his words charged with anguish, desire and rapture.
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This book is also available as an ebook: buy it from Amazon here. Byrne's poetry sparkles with wit and irony, and Blood / Sugar is his long-awaited first collection. The editor of a highly-regarded poetry magazine, Byrne maintains great technical proficiency in his structuring of verse, moving effortlessly between the traditional and the innovative to shape poems that brim with lyricism and confidence. "James Byrneís second collection, Blood / Sugar is packed, ambitious and absorbing... The comparison that comes to mind is with Christopher Middleton, with whom Byrne shares a restless hunger." Sean O'Brien, Poetry Review "His poetry is clean, clear and contemporary; it cuts to the bone of the beast every time." Keith Richmond, Tribune "In Blood Sugar James Byrne's fine poems explore a variety of themes, combining light and shadow, tenderness and wit." Wayfarers "The way the Peruvian avant-gardist poet Cesar Vallejo described language as being the ëdark nebulae of life that dwells on the turn of a sentence...í can be applied here to the irrefutable poetics of James Byrne. For he has constructed a collection of poems of considerable imaginative pressure, a vice-like poetical ethos... poems of such exactitude and accuracy that it is almost as if Byrne is attempting to replicate and reconstruct his own jaw at the potterís wheel of his imagining... According to Geoffrey Hill, 'difficult poetry is the most democratic, because you are doing your audience the honour of supposing that they are intelligent human beings', and this can most definitely be said of the requirements of the reader facing these innovative poems." Paul Stubbs James Byrne was born in 1977 and is the editor and co-founder of The Wolf poetry magazine. His debut collection, Passages of Time, was published in 2003. In 2008 he won the prestigious Treci Trg poetry prize in Serbia. Since 2006 James has taught Wolf Workshops, which have helped many students with first book and pamphlet publications.
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Bones Will Crow is the first anthology of contemporary Burmese poets in any language, and includes the work of Burmese poets in exile, in prison and undercover. Introduced by Zeyar Lynn, with a Preface by Ruth Padel. The poets featured are Tin Moe (1933-2007), Thitsar Ni (b. 1946), Aung Cheimt (b. 1948), Ma Ei (b. 1948), Maung Chaw Nwe (1949-2002), Maung Pyiyt Min (b. 1953), Khin Aung Aye (b. 1956), Zeyar Lynn (b. 1958), Maung Thein Zaw (b. 1959), Moe Zaw (b. 1964), Moe Way (b. 1969), Ko Ko Thett (b. 1972), Eaindra (b. 1973), Pandora (b. 1974) and Maung Yu Py (b. 1981). James Byrne's second poetry collection, Blood/Sugar, was published by Arc in 2009. He is the co-editor of Voice Recognition: 21 Poets for the 21st Century (Bloodaxe, 2009). Ko Ko Thett left Burma following detention for his role in the Rangoon student uprising in 1996. His first collection in English, The Burden of Being Bama, is forthcoming.
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White Coins / James Byrne. - [miejsce nieznane] : Arc Publications : Legimi, 2015.
Forma i typ
Expanding on themes present in Blood/Sugar, James Byrne refuses one defining aesthetic or mode of writing in his work, instead choosing to fluctuate between the lyric, experimental, confessional and the political. These are poems that explore aspects of childhood, social activism and satire. There are correspondences with existing texts; Philomela finds herself in Nazi-occupied Paris during the Second World War and the villanelle re-tracks Rimbaud through London. Elsewhere Byrne seeks to defy Robert Graves' notion that there is "no poetry in money", preferring to rally against issues of austerity and hierarchical power in society. White Coins rewards the reader with a nomadic poetry for the 21st century; one that mingles personal, social and historical spaces whilst celebrating, at all times, linguistic versatility and innovation. Also available as an eBook from Amazon.
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This selection charts the civil war in Sri Lanka, a war which has raged for more than three decades, and left a once idyllic landscape devastated. Together these works encapsulate the Tamil story of exile and displacement, of love overshadowed by uncertainty and loss. Introduced by Sascha Ebeling. Translated by Lakshmi Holmström. Amma, don't weep. There are no mountains to shoulder your sorrow there are no rivers to dissolve your tears. The instant he handed you the baby from his shoulder, the gun fired. (from 'Amma, don't weep', 1985) Cheran was born in Alaveddy in Jaffna, Sri Lanka. His two early collections, A Second Sunrise (1982) and God of Death (1984), and an anthology of Tamil resistance poems, Amidst Death, We Live (1985), are all landmarks in contemporary Tamil poetry. He currently teaches at the University of Windsor, Toronto. Lakshmi Holmström recently co-edited The Rapids of a Great River: the Penguin Book of Tamil Poetry (2010). From 2003 to 2006, she was a Royal Literary Fund fellow at the University of East Anglia. This book is also available as an ebook: buy it from Amazon here.
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Curtis's humour and charm, ability to turn a poem with the seemingly simplest of images, and that understanding of how words will play over the listener's ear, are hallmarks brought to the fore on the page... His greatest skill is to make readers go 'yes, of course'; he reminds us of what we've known all along. Michael McKimm, The Warwick Review
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This collected edition commemorates the 10th anniversary of Julia Darling's death, and includes a substantial selection of unpublished work. Jackie Kay writes: "The poems are funny, irreverent, moving and never sentimental. You can recognise yourself in them, recognise your family. They are warm, full of compassion; [...] a shining bright light."
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This extensive and wide-ranging selection is taken from three collections of the poetry of one of France's most exciting writers of the twentieth century, the surrealist Robert Desnos. Hailed as the 'prophet' of the Surrealist movement by André Breton, Desnos was a hugely influential figure across all art forms at the time, and yet today his work is completely underrepresented in the English language. The present volume of nearly 300 poems seeks to redress the balance. Although he died in 1945 in the death-camp of Terezin, Robert Desnos - witty, scabrous, tender, truculent, mysterious, patriotic, childishly playful - survives as the poet par excellence of his age.
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Whether in poetry, fiction, radio drama or sound installations, Esther Dischereit's work represents a unique departure in recent European writing: a distinctive, off-beat syntax of German-Jewish intimacy with the fractured consciousness and deeply rutted cultural landscape of today's Germany. Sometimes a Single Leaf, mirroring the development of Esther Dischereit's poetry across three decades, includes selections from three of her books as well as a sampling of more recent, uncollected poems. It is her first book of poetry in English translation. In the words of her translator: "Esther Dischereit's poetry offers a visceral pathography of post-war continuities, spectres, amnesia and trauma. Her work builds on the poet's vulnerability and witness to a previous and ultimately un-sealable dimension – a dimension inhabited in a different way by the poetry of Paul Celan – in which the violations and degradation of the Shoah resonate with harrowing persistence in the detail of contemporary everyday life. At the same time, however, her poems test moments of personal and poetic redress, espousing forms developed in an incessant exploration of speech rhythms and images, celebrating the erotic and quotidian, experimenting with hope, seeking community."
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Patrick McGuinness was shortlisted for the Popescu Prize for this translation. Together with her fiction, essays and livres d'artistes, Hélène Dorion's poetry constitutes one of modern Québécois literature's foremost achievements. Seizing: Places (Ravir: Les Lieux) was awarded the Prix Mallarmé in 2005, the first time that a Canadian had won this prestigious prize. Comprising five sequences, it is arguably Hélène Dorion's most ambitious work to date. With an Introduction by Carcanet poet and Booker-longlisted novelist Patrick McGuinness. "My feeling is, the poems are grounded, and because of this they hold on to truthfulness in the moment, are in the everyday real and do open the reader (this reader anyway) to an adventure well out of the ordinary, and it says a lot to me about these poems that I want to quote all of them, to say 'listen' to this and to this and this." David Hart, Stride Hélène Dorion was born in 1958 in Québec City, and now lives in Montréal. She is the winner of the Governor General's Award for Poetry, and numerous other prizes, the most recent of which was the Prix Senghor in 2011. Patrick McGuinness is the author of two poetry collections published by Carcanet – Jilted City (2010) and The Canals of Mars (2004) – and the Man Booker Prize-longlisted and Costa-shortlisted novel The Last Hundred Days (Seren, 2011). In 2009 he was made Chevalier des Palmes académiques for services to French culture, and in 2011 Chevalier des Arts et des Lettres. This title is also available from Amazon as an eBook.
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"These poems come right up to the reader, go through his pockets, check the seams and hems of his personality, his essence, his baggage, amiably but determinedly shaking him down." "A very lyrical poet." Remco Ekkers. Introduction by Jeffrey Wainwright. Translated by Willem Groenewgen. This book is also available as a eBook. Buy it from Amazon here.
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Vandemonian is a detailed, impassioned poetic history of Van Dieman's land, Tasmania. Poems in a variety of voices lay out the island's early story, exploring the truths of colonisation. Forshaw blends historical fact, imagined events and contemporary reflection with religion, geography and the great unknown to produce a portrait of discovery, disenfranchisement and extinction. "An imagination like no other, transforming the world you thought you knew" Jon Stallworthy "These are poems captained by a large intelligence and abundant lexical vigour, poems of voyage, exertion and discovery." Carol Rumens on Wake Cliff Forshaw now teaches at Hull University. A former winner of the Welsh Academi John Tripp Award, and Blue Nose Poet of the Year, his pamphlet Wake was joint-winner of the Flarestack Pamphlet Competition in 2009. His latest chapbook, Tiger (Happenstance, 2011), about the Tasmanian Tiger, came out of his term as International Writer-in-Residence at Hobart. This book is also available as an ebook: buy it from Amazon for here.
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Carnival Edge: New & Selected Poems is Katherine Gallagher's third book from Arc, and draws together the best work from five of her previous collections, together with a substantial body of new work. Gallagher is a prolific and popular poet, and this comprehensive new collection will delight her many devotees, both in the UK and in her native Australia. "Katherine Gallagher has an aesthetic purity which combines introspection with an outward focus... Her verse is sometimes simply beautiful, at other times tragically moving, but always technically brilliant." Envoi "Gallagher has always been a poet of quiet observation, meditating on her experiences as a traveler or watching small domestic moments... There can be no doubt that Gallagher's poetry has become more confident and complex over time. The early poems, usually no longer than a page, meditate on an observation or a memory, while her more recent work is more ambitious." Australian Book Review "No word is wasted in Katherine's poems; she effortlessly glides into metaphor, playful inversions and unexpected turns of thought. She has an artist's eye for colour and line, a musician's ear for rhythm, tone and key, and a poet's skill in selection of the best word." Anna Avebury "Carnival Edge not only withstands repeated reading, it invites it. It is a work that demands that it be taken up by poets and explored, so that it can reveal its richnesses, and show further ways in which poetry can be explored... having read Carnival Edge a number of times, I can only say that these prospects excite me enormously." The Australian Reader Katherine Gallagher is a widely-acclaimed poet with six books published as well as four chapbooks. Born in Australia, Gallagher has lived and worked in London since 1979. She has been an active force in the community, giving poetry readings, running workshops (for adults and children), judging poetry competitions, and participating in poetry festivals. Her work has been widely reviewed. Gallagher also translates from the French and her own poetry has been translated into French, German, Italian, Romanian, and Serbian. Her two previous collections are Tigers on a Silk Road and Circus-Apprentice. This book is also available as a eBook. Buy it from Amazon here.
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This book is also available as a eBook. Buy it from Amazon here. Using true stories from her own family annals, Wioletta Greg makes a literary journey through the last century, from Poland at the outbreak of the First World War to present-day Britain. In her own selection of verse and prose poems, set mostly in the geographical heart of Europe, she charts two world wars, life under Communism and the ensuing liberation, and her own experiences as a migrant living in the Isle of Wight.
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Six Finnish Poets continues Arc's profiling of some of the 'smaller' languages of Europe and beyond, showcasing their beautiful and unusual literary stylings to audiences closer to home. Here six poets from Finland offer up a refreshing mix of narrative, cinematic and experimental devices, ranging from whimsy to sci-fi to punk. The poets featured are: Vesa Haapala, Janne Nummela, Matilda Södergran, Henriikka Tavi, Juhana Vähänen and Katariina Vuorinen. This is a bilingual edition, with the Finnish original and the English translation on facing pages. Translated by Lola Rogers, Emily Jeremiah and Helen R. Boultrum . Teemu Manninen is a poet and literary critic based in Tampere, Finland. His books include five poetry collections. He works as a producer for the Helsinki Poetics Conference, an editor for the poetry publisher Osuuskunta Poesia, and a poetry reviewer for the Finnish newspaper Helsingin Sanomat. This title is also available from Amazon as an eBook.
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Mila Haugova has written a moving book about the farewell of loved ones and the slipping away of one's own life. The starting point is a double loss: her mother dies and her lover goes his own way. During her dead mother's childhood and distant past, the loved ones have faced a hoped-for future. Now only a reduced daily life remains, shot through with ever present memories. Haugova overlays the departed, and now recalculated, images of childhood and days spent with her lover. Is it possible to find some memory of lost warmth in this cold world? Re-encounter and farewells are one in Haugova's poetry: there are intimate companions in the absence of loved ones, in the acceptance of their disappearance, which over time develop a cathartic force that makes possible new love.
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